Monday, December 30, 2019
Twelve Angry Men, A Classic Of American Cinema - 844 Words
The film Twelve Angry Men, a classic of American cinema, besides being an exquisitely constructed drama, serves as a detailed example of critical thinking in action, and the factors that interfere with rational conscious reasoning. The twelve jurors, laden with a grave responsibility of deciding the fate of another human being, employ all kinds of critical thinking skills and techniques, making errors based on their personal biases, prejudices, and emotions. Due to the complexity of the human nature and human mind there exist a myriad of factors on which oneââ¬â¢s ability for critical thinking and the inventory of critical thinking tools depend. There are several instances when the juror number six demonstrates that he has rudimentary critical thinking skills. First, when asked why the house painter believes the defendant is guilty; he analyses the motive for the crime. He explains, ââ¬Å"if thereââ¬â¢s no motive, whereââ¬â¢s the case?â⬠The juror number six makes an inference that the fight between the father and the son the witnesses were talking about could have served as a motive for the murder. He assumes that this family argument could have had enough power to provoke the son to kill his own father. The inference and the assumptions the juror number six makes based on the facts laid out in front of him in the courtroom seem relatively weak and flimsy. However, the sole attempt to analyze the situation focusing on the motive proves the juror number six can contribute some usefulShow MoreRelatedAnalysis Of 12 Angry Men By Sidney Lumet1868 Words à |à 8 PagesDirector Sidney Lumetââ¬â¢s eminent film 12 Angry Men offers an inside perspective on the strengths and weaknesses of the American judicial system. This magnificen tly written and intensely effective courtroom film surrounds the case of a fictitious, teen ââ¬Å"criminalâ⬠who faces the death penalty. The case explains the moral predicament of choosing between bigotry and prudence. Lumet captivates his audience by the way he is able to produce suspense, without ever unveiling the crime completely. Moreover,Read MoreMetz Film Language a Semiotics of the Cinema PDF100902 Words à |à 316 PagesFILM LANGUAGE FILM LANGUAGE A Semiotics of the Cinema Christian Metz Translated by Michael Taylor The University of Chicago Press Published by arrangement with Oxford University Press, Inc. The University of Chicago Press, Chicago 60637 à © 1974 by Oxford University Press, Inc. All rights reserved. English translation. Originally published 1974 Note on Translation à © 1991 by the University of Chicago University of Chicago Press edition 1991 Printed in the United States of America 09 08 07 6Read MoreFor Against by L.G. 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